Mouth Sounds is a mashup mixtape by American musician Neil Cicierega. The mixtape was self-released by Cicierega on April 27, 2014. Consisting of mashups pairing Top 40 hits of the 1980s and 1990s, Mouth Sounds received positive reviews from music critics. It received a second installment, Mouth Silence, three months later, which followed the same mashup format, a third installment, Mouth Moods, in 2017, and a fourth installment, Mouth Dreams, in 2020.
Background
Cicierega began work on the mixtape after discovering multiple raw instrument tracks from songs featured on the music video game series
Rock Band.
Because
Rock Band requires players to control individual instruments for each track, all artists featured in
Rock Band must provide the stems of each song featured in the game. With access to these tracks, Cicierega was able to create mashups of the provided songs. The process was mostly trial and error, where he paired songs together randomly, and kept what sounded good.
Cicierega tried to only pull popular songs, explaining "If you're doing a comedy album with mashups, then you definitely want to use songs that people will recognize."
The purpose of the mixtape was to make Cicierega laugh, but also to offend fans of the songs and artists he used in the mixtape.
Mouth Sounds development dates as far back as late 2012. Later on, the song "No Credit Card" (a remix of Huey Lewis and the News' "The Power of Love") appeared on Neil Cicierega's SoundCloud account on February 6, 2013.
Reception
Mouth Sounds received mostly positive reviews from critics. Katie Rife, writing for
The A.V. Club, called the mixtape "brilliant," citing its ability to toy with the listener's nostalgia held towards the songs included, and wrapped up her review by suggesting the album to those that enjoy the thought of "dropping acid at a
Media Play going-out-of-business sale."
Ben Simon of Music Putty also wrote of Mouth Sounds' ability to relate to the listener's childhood memories, writing, "nostalgia is the album’s unifying theme," and citing the third track, "D'oh," as an example of when it "is taken to its most equally incredible and horrific extreme."
Track listing
External links
